Active Reading in #Austenesque Writing
New subscribers to Austenesque Thoughts are eligible to receive an #Audible promo code (US or UK) for Volume One of the Bennet Wardrobe Series: “The Keeper: Mary Bennet’s Extraordinary Journey. Please enjoy this audio excerpt from that book as performed by the incomparable Amanda Berry. All Bennet Wardrobe books are available from @MerytonPress.
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Those of us who love all things #Austenesque oftentimes get deeply into the weeds as we try to divine the “true” meaning of scenic elements that establish the framework upon which both character development and plot rest. Austen forces her readers to be active participants in the development of the story. She liberally sprinkles breadcrumbs, but then allows us to be clever—or not—in assigning meaning to them to create an overarching interpretation.
A perfect example of this process sees Miss Bingley dragging Miss Elizabeth around the Netherfield parlor. Miss Austen, of course, tells us the reason using Darcy as her avatar for the moment.
“You can only have two motives, Caroline, and I would interfere with either…
“Either you are in each other's confidence and have secret affairs to discuss, or you are conscious that your figures appear to the greatest advantage by walking. If the first, I should get in your way. If the second, I can admire you much better from here.”
(Pride and Prejudice, Ch. 11).
Already filled with that which Austen has advised us, we know that Caroline holds Elizabeth in disdain and would have no secrets to share with her. Miss Austen, therefore, lays a forced choice in front of us. Our only conclusion can be that the walk, suggested by Miss Bingley, was meant to entice Darcy with—no wait, not “their,” but rather Caroline’s beauty.
And, while Austen leaves us with the impression that Caroline is attractive, the Bingley sister was certainly tolerable; but not handsome enough to tempt Darcy. After all, she had been in his company for multiple Seasons. Neither her figure nor her money had caught his eye. Her effort here, therefore, underlines Austen’s positioning of her as being a somewhat pathetic, clueless figure, not understanding that she was offering Darcy an implicit comparison between her physical charms and Elizabeth’s.
At no point, though, does our guide insert herself in the narrative to tell readers about the nature of Caroline Bingley. We can assemble the clues ourselves.
In Volume Six of the Bennet Wardrobe Series—The Avenger: Thomas Bennet and a Father’s Lament—I use a variety of expository devices to portray useful information, set character traits in place, and establish underlying elements that make subsequent action or narrative logical. I have studiously tried to emulate, if not her language stylings, much of her structural technique. The Lady truly had an interesting literary toolbox!
Consider, for instance, a narrative exposition made in Chapter 3…when the Right Rev. Richard Fitzwilliam (Lt. Col. Ret) is contemplating a note left on the doorstep of his temporary rectory at Stromness, about one month after the end of World War II. There he had sought peace from his PTSD after years of serving behind enemy lines. See this excerpt from The Avenger: Thomas Bennet and a Father’s Lament.
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Yet, his calling to serve the Lord was of such strength that he could not become a hermit. However, he recognized that he could never voluntarily avail himself of his connections to immerse himself in one of the preferred parishes where aristocratic rectors most often were installed. He had no patience for diocesan politics. The Rt. Rev. Richard Fitzwilliam could only stomach so many teas at fusty bishopric palaces where smarmy clerics sought to curry favor and gain patronage. St. Mary’s here in the blustery Orkneys was the best living for him…and was the only such refuge open, the rectory in Bude, Cornwall, long unavailable, having been filled by a twenty-five-year man: himself a refugee from the 1914 cataclysm.
Richard’s family, though, would not let him crawl into a hole in the heather and pull the shrubs in after him.
Lady Anne, in her latest letter, offered that she had accepted Richard’s excuse that his parish duties had made it impossible to attend the traditional Five Families’ grandes vacances at the reopened Deauville Beach House. Then she slyly had set her piton in the tiny logical crack his summertime demurral had provided.
“Perhaps my son,” she gently wheedled, …
Richard smiled as he imagined the irresistible gaze of those caramel eyes, wide in feigned innocence, rising from her supremely laid, cream-colored notepaper, focused on him.
“…who is a minister of the Lord, would find it in himself to attend the October dedication of his Grandmother’s marker in the tiny burial ground behind the Dune and deliver a eulogy to the great lady.”
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I have always imagined this Twentieth Century iteration of a Fitzwilliam male to be a combination of both Darcy and the Colonel, with a fully-formed sense of duty to God, Country, and Family. These paragraphs allow readers to understand “The Preacher” (his nom de guerre) without my commentary telling them how he was shaped. Likewise, he is a man who understands that women are not bits of fluff to be ignored. He would shortly encounter another strong and resourceful woman whom he had loved but had assumed dead. The missive in his milk box is from her, and he is suspicious of her motives. Yet, he can do nothing but play the hand he was dealt.
’Tis to be a game of chess, however, and not checkers. And, so he went to meet her.
Another excerpt from The Avenger: Thomas Bennet and a Father’s Lament reveals more.
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However, that space [where they were to meet] had one fatal flaw that Richard could turn to his advantage; all thanks to a drink-befuddled farmer who last September stumbled in the steeply angled meadow that bordered upon the slope leading to the lip!
’Twas one of those rare fall days when the prevailing gusts blew off-shore rather than on. When old MacGregor tangled his brogans and ended up face down in the browned sward, his freshly-charged pipe, knocked from between the few teeth he had left in his ancient head, set ablaze the golden dry fodder waiting to be cut and baled. With the easterlies raging, the entire hillside had been turned to ash in moments.
Then ’twas easy work for the winter’s melt and the spring rains to loosen the denuded soil on this least-loved of silage patches. The pebbly glacial leavings now covering the eroded brae was as stable as a child’s bag of aggies, always shifting in a perpetual motion determined to fly across the trail and down to the Cambrian scree piled on the shore. Any person seeking to plant a foot on this surface, loosely bound with the thinnest of clayey mud, would end up tumbling out of control.
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Fitzwilliam realized that he must meet the sender of the note—and that it was likely that the writer, long missing in the hands of the SS, would pose a mortal danger. As he approached the rendezvous, his mind turned to the context of the meeting, as neither party had communicated to one another prior to that moment…in fact for more than a year since her betrayal to the Gestapo by supposed friends.
From Chapter 4:
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Fitzwilliam narrowed his eyes but did not break his rolling gait lest he alert Rose. This place would have been where he would have prepared his own ambush if he had been so inclined. Here, in the thirty-odd feet after the path had cut through a small rise to then swing around a large piece of Norway, a most noticeable glacial detritus poking up from the brackish heath, rested all elements necessary to provide ideal conditions for assassination rather than a conversation. Thus, the final piece in his understanding of her urgency to speak with him slid into place.
She has no interest in exploring my thoughts on the status of rationing, to be sure. ’Tis to be wet work.[i] If I recall correctly, Rose found a hatpin to serve up a near bloodless murder.
The Preacher never broke stride, knowing that if he gave the slightest whiff of awareness, his quarry—yes, the hunted now is seeking to be the hunter—would vanish, only to try again in a time-and-place of her, not his, choosing.
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Again, readers can further understand the character of Fitzwilliam. Although a man of god, he is also, himself, a trained killer.
We finally move from narrative to action as the attack, long telegraphed, is finally undertaken. The woman’s body is under the control of her alter-ego Rose, however, the dominant personality, Eileen, is conscious and able to exert a minute influence over the encounter.
We continue our punctuated examples with another excerpt.
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Fearful that what she would do would prove insufficient, but even more fearful of inaction, Eileen dipped her hands into the translucent, rippling streams flowing in front of her. Her intervention slowed their passage from the sky-blue irises exposed to the wind and dust howling on the hillside. Akin to a photo flipbook interrupted in its smooth page-after-page snapping, that wonderfully agile brain, that in earlier times—before—had been her home, paused in its processing, freezing on the last complete image. The lag was momentary, but enough.
In that unseen fraction of a sliver of a moment, Fitzwilliam continued to move across the field of play; not far, but enough.
This fluctuation, this stutter of sight, led Rose to miss the center of her target. Where the steel-tipped javelin of her body should have driven itself home directly between Fitzwilliam’s shoulder blades, Eileen’s fiddling with her optic signals changed reality. The delay was not much more than half a heartbeat, but it caused her to leap at what she thought was the bullseye when it was really the next outer ring.
Rather than burying itself at the base of Fitzwilliam’s skull, her hatpin scoured a furrow in his right trapezius before snagging in the collar of his bridge coat.
As for her target, Richard’s sixth sense alerted him that the moment of greatest danger had been upon him. Perhaps ’twas a change in air pressure or the pattern of the wind disturbed as her body sliced through the air toward him. Whatever warned the Preacher, he had the slightest opportunity to flinch, to hunch his shoulders. Even so, his muscles, quick as his war-honed senses were, had only begun their upward movement when a ripping pain on the right side of his neck snapped his senses. Then muscle memory took over.
As Rose’s weight slammed into his back. Fitzwilliam quickly used his six-foot frame to transfer her forward momentum into an over-the-shoulder throw which flipped the slight woman above and around his rotating body. She landed flat on her back; her head closest to his feet. The impact stunned her but did not render her unconscious.
The SOE man above the supine figure knew that she would take advantage of the slightest opening. Chivalry and human feelings vanished in the glare of Mars ascendant.
He finished his move with a fierce right-hand jab to her jaw that snapped her head to the side and put both Rose and Eileen to sleep.
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By now we have more than enough evidence to understand that the former Lieutenant Colonel Richard Fitzwilliam was a man of uncommon bravery and skill as well as faith and, perhaps, compassion. He also dealt with a woman in a Twentieth Century manner rather than the patriarchal style of the Regency. This nascent egalitarianism between the sexes is a theme that runs through much of the Bennet Wardrobe.
’Tis my hope that readers of The Avenger: Thomas Bennet and a Father’s Lament will enjoy the elements which demand that they be active readers, engaging with the history created within the Bennet Wardrobe Universe. I look forward to your comments.
[i] “Wet” is the term adopted by espionage “firms” to describe assignments where the target was to be killed.